The novel’s cover comes from my June 2005 abstract painting show at Dallas Public Library’s Bradshaw Gallery. As the previous posts about the book describe, I’d had the image of Dave’s art warehouse for many years, long before doing this … Continue reading →
Artist Dave Raavenscorr tries to seduce what he considers a neurotic college girl only to discover she’s Dr. Marina Nunn, chair of the Lake University Music Department and a refugee from the Reunion brainwashing disaster hundreds of miles south. Paranoid … Continue reading →
Asylum and Mirage, soon to be published, is my eighteenth novel, though some of its ideas and plot go back to 1985’s unpublished Parts I and II. To look back at my writing history, I made a list of novel … Continue reading →
Artist Dave Raavenscorr picks up what he thinks is a college girl, but flees in panic when he discovers she’s Dr. Marina Nunn, chair of the Lake University Music Department and a refugee from the Reunion brainwashing catastrophe at Linstar … Continue reading →
This is not really a review of How to Market a Book: Overperform in a Crowded Market by Richard Fayet, free on Kindle, but the book is a useful guide and it did inspire further thoughts on something I’d been … Continue reading →
A naïve and disconnected artist gives a party to celebrate his success, only to find himself drafted that same night into a mindless war against the Reunion, an apparently unstoppable army of hallucinatory consciousness. I’ve finished Draft 2 and closed … Continue reading →
Caspra Coronae is now, halfway through its second draft, Asylum and Mirage. Hanging the essence of a novel on its title is important, and while Caspra Coronae has a lovely sound, it doesn’t convey anything about this novel, and would … Continue reading →
When I recently re-interviewed the main characters of Caspra Coronae, it became obvious to all of us that Walter’s evil machinations and his over-the-top, humiliating death were merely dull plot. And that in fact the entire Part 2 of the … Continue reading →
A feckless young architect falls in with a sixteen-year-old’s dubious trucking venture. Drug-addled Randy bemoans his fate as a slave employee in New Fascist Australia. An archeologist arrives on a tiny artificial gravity platform to give a scholarly lecture to … Continue reading →
Recapping Part III as the Author Seeks Sympathy for How Terribly Difficult This Post Has Been In rereading Writing Biographies I-III I’m struck by how they stand outside my usual self-description. I remember all that history, but it was as … Continue reading →
