Following up on the building of the red stretcher and stretching its canvas, here’s the sequence of the completed painting, though as usual I forgot to chronicle all of it, so we see just a couple major steps and the … Continue reading →
This almost has to be demonstrated in person before it makes sense, but I’m giving it a verbal try here. First, vacuum the floor to get up items like cat hair. Unroll the canvas on the floor. Place the completed … Continue reading →
This will be a non-adjustable stretcher. It doesn’t allow further adjusting of canvas tension as with commercially-made stretcher bars, which have corner slots that aren’t glued, along with pegs which you hammer into these slots to take up slack. However, … Continue reading →
I had the idea of painting a 12” x 9” November journal drawing onto a 50” x 32” canvas, but when the morning to paint came and I studied what had been a fun and meditative drawing, I found myself … Continue reading →
A new Tarot Card page on sortmind.com showcases a handful of the seventy-eight cards in my eccentric Tarot deck, which really doesn’t have a name so I guess two rough draft names will do for now. Sometime in 2000 the … Continue reading →
Jack Commer, the Official Portrait overpaints a despised pencil image. I’d entered the original October 2006 drawing, “Jack Commer, Supreme Commander, United System Space Force, ca. Summer 2036,” into a “Superheroes” art contest in Denison, Texas that fall and I’ve … Continue reading →
My first “novel,” Trip to Mars, was fifty-five penciled pages in a small yellow notebook, starring Jack Commer and outlining the horrors of a 2033 World War IV and the evacuation of Earth’s surviving population to Mars. Was the sixth … Continue reading →
I’ve grown quite enamored of this painting I did a couple weeks ago. But I hated it and cursed the monster as I fought to hook it and lash it to my little boat for hour after demented hour like … Continue reading →
I think a couple years ago I would have thought “Arboreal Ghosts” another “excellent painting” to add to my “body of work.” But what the painting really is, and I think I see this with newly-opened eyes, is another “decent … Continue reading →
Being overly busy and overly inclined to slap projects together and ship them out the door, declaring victory after victory, I have not been much inclined to slow down to zero and come to grips with my crisis in abstract … Continue reading →
