Mindful of one of my favorite saws probably picked up from The Internet, “There are two kinds of people: those who place people in categories, and those who don’t,” I nevertheless postulate that there may be three kinds of artist … Continue reading →
The novel’s cover comes from my June 2005 abstract painting show at Dallas Public Library’s Bradshaw Gallery. As the previous posts about the book describe, I’d had the image of Dave’s art warehouse for many years, long before doing this … Continue reading →
Artist Dave Raavenscorr picks up what he thinks is a college girl, but flees in panic when he discovers she’s Dr. Marina Nunn, chair of the Lake University Music Department and a refugee from the Reunion brainwashing catastrophe at Linstar … Continue reading →
Following up on the building of the red stretcher and stretching its canvas, here’s the sequence of the completed painting, though as usual I forgot to chronicle all of it, so we see just a couple major steps and the … Continue reading →
This almost has to be demonstrated in person before it makes sense, but I’m giving it a verbal try here. First, vacuum the floor to get up items like cat hair. Unroll the canvas on the floor. Place the completed … Continue reading →
This will be a non-adjustable stretcher. It doesn’t allow further adjusting of canvas tension as with commercially-made stretcher bars, which have corner slots that aren’t glued, along with pegs which you hammer into these slots to take up slack. However, … Continue reading →
Jonathan James is Jack Commer’s insolent, troubled son, the author of the bestselling Alpha Centaurian novel, A Fragmented Encyclopedia of Recent Self. He was also briefly Emperor of the Alpha Centaurians, later leader of a rebellion against the SolGrid surveillance … Continue reading →
Trantor Group CEO Peter Trantor scrambles to reassure his latest client, the lovely but unreadable bank executive Anna Winstead, that his telepathic Sortmind app really isn’t as deadly as people assume. But he has some explaining to do when a … Continue reading →
Here’s the final version of Jackie Vespertine, a completely digital version of the original pencil drawing which has its strange flaw as described below. I lack deep image editing skills but used newly discovered GIMP freeware to experiment with the … Continue reading →
I had the idea of painting a 12” x 9” November journal drawing onto a 50” x 32” canvas, but when the morning to paint came and I studied what had been a fun and meditative drawing, I found myself … Continue reading →
