The idea for CommWealth came from the first part of these notes from a dream (“Their Satanic Majesties Computer Software Guide”), although successive revisions changed much of the plot. The second part, “The Tremendous Romance,” wasn’t used in the novel. … Continue reading →
I’ve always thought of the characters in CommWealth as an ensemble cast in a movie, where accomplished actors divide the plot between them and no one actor has the lead role. I didn’t intend this approach from the beginning, but … Continue reading →
CommWealth is now available from Amazon in paperback format, in addition to Kindle eBook format. In addition, the paperback and a variety of eBook formats are available from the publisher, Class Act Books. I received some initial copies Tuesday morning, … Continue reading →
An excerpt from CommWealth: Allan parked the Maserati on Walnut Street and slammed the door with what he hoped was appropriate showdown force. A few customers on the patio looked up, then went back to their beers and chessmen. Allan … Continue reading →
In my just-published novel CommWealth, Allan Larson browbeats the Forensic Squad acting troupe into staging an infantile play he’s written called Cabaret. (Though he swears his play has nothing to do with the 1972 movie of the same name, one … Continue reading →
Dystopian? Black comedy? Literary? Mainstream, contemporary–what on earth do those terms really mean? CommWealth has been published by Class Act Books. Describing a society in which all forms of property have been banned so that a deeper sharing can take … Continue reading →
I culled this post from the sortmind.com University of Mars page. I’ve always enjoyed this essay as a solid analysis of an unpublishable old novel, but it’s really a blog post, lost on a bazillion pages on sortmind.com, so I’m … Continue reading →
