A. Property What if anyone could ask for anything you owned and keep it for thirty days until someone else wanted it … your home, your car … even your body? Members of the Forensic Squad theatrical troupe find themselves … Continue reading →
Sixteen-year-old Billy Bolamme, Junior Dropout Basketball League star, joins shamanic forces with Guenevere “Uni” Ryder, fellow high school dropout, art gallery receptionist, and unwitting accomplice to thirty thousand murders. Berserk at missing his five hundredth point in a row, ridiculed … Continue reading →
Q: So what’s this crap you’ve got now? Jump Grenade? And don’t give me any of those typical BS marketing blurbs. MDS: All right, guy, let’s get into it. Basically the novel is about psychopathy, how much fun it is … Continue reading →
Billy Bolamme, psychopathic Junior Dropout Basketball League star, joins shamanic forces with Guenevere “Universe” Ryder, fellow high school dropout, art gallery receptionist, and unwitting accomplice to thirty thousand murders. Berserk at missing his five hundredth point in a row, Billy … Continue reading →
I’ve finished good drafts of the Three Legacy Novels outlined in the June 18 blog post. The question was: could I make the older manuscripts of Jump Grenade, Akard Drearstone, and Sortmind into fully modern, high quality expressions? Was there … Continue reading →
I’ve always thought of the characters in CommWealth as an ensemble cast in a movie, where accomplished actors divide the plot between them and no one actor has the lead role. I didn’t intend this approach from the beginning, but … Continue reading →
CommWealth is now available from Amazon in paperback format, in addition to Kindle eBook format. In addition, the paperback and a variety of eBook formats are available from the publisher, Class Act Books. I received some initial copies Tuesday morning, … Continue reading →
An excerpt from CommWealth: Allan parked the Maserati on Walnut Street and slammed the door with what he hoped was appropriate showdown force. A few customers on the patio looked up, then went back to their beers and chessmen. Allan … Continue reading →
In my just-published novel CommWealth, Allan Larson browbeats the Forensic Squad acting troupe into staging an infantile play he’s written called Cabaret. (Though he swears his play has nothing to do with the 1972 movie of the same name, one … Continue reading →
Dystopian? Black comedy? Literary? Mainstream, contemporary–what on earth do those terms really mean? CommWealth has been published by Class Act Books. Describing a society in which all forms of property have been banned so that a deeper sharing can take … Continue reading →
