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Sortmind Blog – Michael D. Smith

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I’ll Write Your Book Blurbs, or, When Lilith’s Beloved Kentucky Horse Farm Goes into Bankruptcy …

Sortmind Blog - Michael D. Smith Posted on November 9, 2017 by Michael D. SmithNovember 9, 2017

The Litterbox Most Foul Tarot Card copyright 2017 by Michael D. SmithWriters know how difficult it can be to come up with a decent book blurb. How can we possibly distill our novel’s entire universe into one attention-grabbing slab of marketingese? The good news is that now you can just blow all that off and concentrate on getting that next novel underway. Just change the character and place names in your story to match the blurbs below–and watch your sales surge out of control!

When Lilith’s beloved Kentucky horse farm goes into bankruptcy, only an arrogant, shirtless cowboy from her past …

Chief Inspector Careen O’Raority immediately sniffs something amiss at a cat-infested East End tenement. Was the half-consumed corpse the work of the petite Abyssinian, the ebullient orange Maine Coon, or the crafty Calico? Or could it be that O’Roarity’s one-time detective partner, Lynx Point Siamese Sebastian Smith, has resumed his uncanny dealings with the Canine Corps? A Sebastian Smith Murder Mystery.

Jen has a secret Rob must never know…

Enslaved since childhood by the Imperial Directorate of Prison Planet Dorg, seventeen-year-old Rona Crypt survives with nothing but her sharpened wits, a well-nourished fury, and a four-foot length of rusty chain–eternally ready to lavish serious vengeance on every slimeball in the universe! Continue reading →

Posted in Marketing, Novels, Satire, Writing, Writing Process | 2 Replies

Akard Drearstone – The Blog Post, Part III: How the Songs Came About

Sortmind Blog - Michael D. Smith Posted on November 4, 2017 by Michael D. SmithJune 26, 2019

The idea for Akard Drearstone came as I idly examined two sheets of blank square pink paper at my hated insurance job in August 1975. In a burst of inexplicable high energy it occurred to me to make these into a record album, which I proceeded to draw over the next hour, taping the sheets together to form a double album’s front and back cover with interior notes. I remember poring over the completed thing for days afterwards, enthralled with the results, song titles and band member names immediately calling forth plot and characters.

The Original February Death Trip copyright 2017 by Michael D. Smith

The pink album amid 1975-76 notes

I based the album on the character of Akard Drearstone, whom I’d first used in the Fall 1974 comic The Story of Lester Quartz’s Fantastic Journey, much of which was also drawn at my Praetorian Mutual Life Insurance Company desk, don’t ask me why. The 288-page comic can now be termed a graphic novel, though I had no idea of that concept at the time. In any case it showcased Akard Drearstone, his obscenely-titled rock group, and his assassination onstage by CIA agents.

Soon after drawing the album I wrote fourteen loopy songs, as a novel about these rock stars would need those off the wall, satirical tracks for their album, originally named February Death Trip but later simply Akard Drearstone. The emerging novel prompted a three-page outline that turned out to be surprisingly close to the massive 1,587-page, 661,581-word rough draft which exploded 1976-1978 into the Ongoing Work of Humanity. Continue reading →

Posted in Akard Drearstone, Drawing, Literary, Novels, Publishing, Satire, Self-Publishing, Sortmind Press, Writing | Leave a reply

Akard Drearstone – The Blog Post, Part II: The Akard Genealogy

Sortmind Blog - Michael D. Smith Posted on November 2, 2017 by Michael D. SmithJune 26, 2019

Aside from a couple early practice novels, Akard Drearstone was my first real novel and my attachment to it has been deep. Was gestation to publication really forty-two years? Well, this novel has been on my mind since 1975; in fact, the character of Akard Drearstone had appeared a year earlier in a comic I drew. But my estimate is that over these decades I’ve spent approximately eight years on this novel. Its lineage can be traced through three different eras:

The Ancient One: The Original and Scarcely Believable (To Me, at Least) Volcanic Eruption of Ideas, Character, and Plot

Akard Note Cards 1975-76 copyright 2017 by Michael D. Smith

Note cards for the first draft, 1976

I went into Draft One, February 1976 to March 1978, with the plan that I’d I write out everything I could consider expressing. I was astonished at what flowed out: several dozen characters representing all the psychic forces I could imagine, and bizarre unfolding plots and subplots. Looking back on Draft One years later, I realized its 1,587 pages contained one good novel, one bad novel, and three mediocre novels.

Draft Two, May 1978 to October 1980, was an era of endless revisions and a growing awareness of the novel’s obesity and other shortcomings, all of which forced me to come up with some new rewriting techniques. There were also problems with attachment to the Holy Words of Draft One, writer’s ego trip, ambition, and publishing paranoia. The happy astonishment of Draft One gave way to a determined, ongoing worry about Draft Two’s prospects in this unpublished-author-hating world.

I typed 300 pages of MS. to September 1981, then wearily understood that this novel no longer expressed my current concerns, and that the physical typing was taking too much of my writing time. I had two other novels going by then and so could accept that Akard wasn’t everything.

1984 witnessed the clunky creation of New Akard 1979. Chagrined that I had no backup copy of the remaining chapters, I made a photocopy of twenty of them (out of the original thirty-one) and called the resulting 760 pages the finished novel, now titled New Akard 1979–because in 1976 I had set the plot in the “far future of 1979.” I was satisfied that this roughly cobbled version had put an end to the novel, and I was proud that I’d lopped off 50% of the original novel and strengthened the rest considerably.

Two: A More Mature Twelve-Year-Old Jan Pace Experiment Renaissance

But a 1992-94 revision demanded existence. After writing several other novels I realized there was unfinished business with Akard and I completely rewrote it with a new structure of putting myself inside the mind of a twelve-year-old girl as the main character. The 1994 Akard Drearstone was a good synthesis of all the personal Akard myths over two decades. I also decided to leave this novel set in 1975, and ever since I’ve considered it essentially a historical novel. My memory is that I wanted to consider this effort publishable, but … for some reason … I never got around to submitting a query letter …

Continue reading →

Posted in Akard Drearstone, Editing, Literary, Novels, Publishing, Query Letters, Self-Publishing, Sortmind Press, Writing, Writing Process | Leave a reply

Akard Drearstone – The Blog Post, Part I: Publication at Last

Sortmind Blog - Michael D. Smith Posted on October 30, 2017 by Michael D. SmithJune 26, 2019

Akard Drearstone by Michael D. SmithA cinder block falls on Akard Drearstone’s head and he trades his print shop job for lead guitar. Months later, as the four members of the Akard Drearstone Group face the onslaught of national fame at their rural Texas commune, twelve-year-old Jan Pace nurses her crush for the narcissistic, paranoid bassist Jim Piston, growing up way too fast in a surreal summer between seventh and eighth grade.

eBook:
Amazon
Barnes and Noble
Smashwords

paperback:
Amazon

cover art by Michael D. Smith

The Akard Background

Over the past forty-two years Akard Drearstone has gone from being an unexpected if unpublishable flood of expression and experimentation, to an obsessive trial and an abandoned burden, to years of neglect followed by a renaissance demanding new integration, and finally to a determination to press this project to a conclusion, to make it the best writing I can do and push it out into the world. I’m not just polishing up some decades-old manuscript I’m feeling nostalgic about; there is some karmic life-destiny about finally publishing Akard through Sortmind Press. The cover and the glorious print version confirm that for me. What a lovely object has taken form!

The central vision for the novel was my secret desire after graduating from Rice to live in an artistic commune. Since I couldn’t do that, and being a rigorous introvert probably would’ve hated it anyway, the next best thing was to write about it. Akard emerged full-scale in one day in August 1975 as I constructed a satire record album cover out of scraps of pink paper. Three single-spaced pages of notes I typed a few days later charted the course of the first draft. From August 1975 to February 1976 I heavily inventoried dreams, recent ideas, and my bleak employment in an insurance company to throw everything into what I knew would be a massive work unlike anything I’d done before. It may be that the stretching involved in Akard, the disbelief that so much expression could flow out, is the reason I’ve been so committed to it. It was Akard’s tone and methods that began the evolution towards the rest of my novels.

Official Sortmind.com Website Synopsis

Jan Pace, a twelve-year-old girl at the Akard Drearstone commune north of Austin, Texas, watches Akard Drearstone and his fellow musicians setting up for what they think will be a small concert on their dirt parking lot. Jan, who knows she’s in love with the twenty-seven-year-old bass guitarist Jim Piston, tries to comfort him while he freaks on marijuana. Meanwhile, to everyone’s shock, thousands of Akard Drearstone Group fans have invaded the parking lot and the vast fields beyond.

Continue reading →

Posted in Akard Drearstone, Literary, Novels, Publishing, Self-Publishing, Sortmind Press, Writing | Leave a reply

Amid Work on Three Karmic Novels

Sortmind Blog - Michael D. Smith Posted on September 11, 2017 by Michael D. SmithJune 26, 2019

Akard Drearstone Musing No. 771 copyright 2017 by Michael D. SmithI’ve finished good drafts of the Three Legacy Novels outlined in the June 18 blog post. The question was: could I make the older manuscripts of Jump Grenade, Akard Drearstone, and Sortmind into fully modern, high quality expressions? Was there a karmic/fate reason for returning to their energies? If not, I knew I had to relegate their last versions to the desk drawer, along with clear and conscious reasons for my refusal to complete them.

I don’t feel I’ve been looking backward out of fear that my well may have run dry, though I’ve seriously considered whether looking at older novels may imply that. But I truly don’t feel I’m just trying to pad my writer’s résumé with a bunch of trashy old stuff. For instance, I have lots of experimental novels and novellas I have no further interest in working on: Nova Scotia, The Fifty-First State of Consciousness, Zarreich, The Galaxies Groan Within, Parts I and II, Linstar, Notice and Dream Topology, the Holy Dark Ages, The Psychobeauty, The University of Mars. I suppose I could always change my mind about some of these but they call up no deep reverberations. They were either just practice or their themes have been better explored elsewhere. I can feel massive new writing clamoring for expression; I don’t feel a further need to return to old stuff.

I wondered if I could publish all three legacy novels in 2017. I figured I probably did have time to at least get them into a more or less completed manuscript state–to do the real writing all three needed–but that finalizing them, doing the covers, publishing via Sortmind Press to whichever platforms I choose, then marketing the things, would involve toil and time pushing publication further out.

Continue reading →

Posted in Akard Drearstone, Black Comedy, CommWealth, Jump Grenade, Literary, Novels, Publishing, Science Fiction, Self-Publishing, Sortmind, Sortmind Press, The First Twenty Steps, The University of Mars, Writing, Writing Process, Zarreich | Leave a reply

Free Soul Institute! Free Twenty Steps! Through July 31

Sortmind Blog - Michael D. Smith Posted on July 2, 2017 by Michael D. SmithJune 26, 2019

The eBook versions of my flagship literary novel The Soul Institute and my science fiction novella The First Twenty Steps can be had for free from Smashwords through the end of July.

The Soul Institute by Michael D. SmithThe Soul Institute

Himal Steina realizes his dream of a mythic return to the sanctuary of a vast foggy university of Soul when he’s appointed writer in residence at the Soul Institute and falls in love with one of its numerous faculty goddesses. But the Soul Institute is splintering under its unhinged Director Alfred Moid Burlcron and his secret society of Overcrons, and as his teenage son consolidates command of the Paint Sniffing Gang, panic and violence build in the small coastal Texas college town.

The First Twenty Steps

The First Twenty Steps by Michael D. Smith

Just released from six years in prison, unsure how to meet basic needs, Harry finds a kindred spirit in Roberta, in thrall to a depraved motorcycle gang. But the passive-aggressive leader of the Cerberean Knights leads them into a major crime this evening as he seeks to pay back favors from the corrupt city council of One-West. As the motorcycle attack on the Dataflux computer building turns terrifying and surreal, Harry and Roberta find themselves outgunned by another biker gang belonging to a mysterious billionaire who intervenes to protect his secret hyperspatial supercomputer.

Paperbacks?

If you’d rather have paperback copies, which alas aren’t free, try these links:

  • The Soul Institute – Amazon
  • The First Twenty Steps – Amazon
  • The First Twenty Steps – Barnes and Noble

 

More Background

The Soul Institute

The First Twenty Steps

copyright 2017 by Michael D. Smith

Posted in Novels, Science Fiction, Self-Publishing, Sortmind Press, The First Twenty Steps, The Soul Institute, Writing | Leave a reply

Three Legacy Novels

Sortmind Blog - Michael D. Smith Posted on June 18, 2017 by Michael D. SmithAugust 20, 2019

Jump Grenade, Akard Drearstone, Sortmind notes copyright 2017 by Michael D. SmithWhy should writers’ blogs, including my own, continue to spout, in glorious marketing-ese dialect, a sort of Chamber of Commerce civic boosterism about our stunning writing careers and our usually boring buy-my-book blurbs? Why should I post as if everything I’ve written should be considered, whether anyone including me believes it or not, as a potentially life-changing, culture-altering bestseller? Most writers don’t blog about their failed novels or raise doubts about whether problematic works in progress are worth publishing, as if the very difficulty inherent in experimenting with a novel idea, in composing fiction, will later affect its market value. But maybe it’s time to discuss three novels that have given me a lot of trouble even as they’ve compelled me to keep turning back to them.

I touched on this theme in a 2012 blog post, How Do you Deal With Your Backlog? While I still don’t want to push old crap out into the world just because I’m emotionally attached to my work and happen to know how easy it is to self-publish it on a variety of platforms, I do have three legacy novels I want to continue to work on. I’m defining a “legacy novel” as a past work, out of date in many ways but which still has psychic reverberation demanding attention. I would publish these novels unless they fail the test of one last clear-eyed revision, in which case I’ll know to shelve them as writing exercises.

I had this experience once before with a twenty-five-year-old novel I rewrote in 2009, The University of Mars. But after doing a decent and actually fun revamp on it and then garnering seven rejections, I finally took a sober look at this book and realized I had to consider it a not-to-be published exercise. That novel is what I had in mind in the February 2012 blog post:

… but a new consideration arose: suppose I did get one of these “not quite my best” novels published? And what if it were available on Barnes and Noble and amazon.com right next to my best work? Suppose someone bought a “not quite” and justifiably wrote me off as low quality and never saw the good stuff? In shock I realized that trying to push out something not quite right is actually a pollution of your writing life.

I have three legacy novels in different stages of development, but I want to be mindful of that 2012 post’s warning. I even said then that I had no qualms about publishing Sortmind or Akard Drearstone, but I’ve seen since that those two need a lot of work to function as modern consciousness.

Continue reading →

Posted in Akard Drearstone, Jump Grenade, Marketing, Novels, Publishing, Self-Publishing, Sortmind, The University of Mars, Writing, Writing Process | 3 Replies

Milton Raeynold Glouair IV from The Soul Institute

Sortmind Blog - Michael D. Smith Posted on June 13, 2017 by Michael D. SmithJune 26, 2019

Milton Raeynold (Milt) Glouair IV, Colored Pencil Version copyright 2017 by Michael D. SmithSoul Institute library director Milt Glouair secured his appointment through his grandparents, influential donors to TSI who somehow outmaneuvered the usually politically astute Soul Institute Director, Alfred Burlcron, who hates Milt and threatens to bust the snippy martinet down to student shelver. Skinny, with thin blond hair, a pointed wedge face, gold wire-rimmed glasses, a huge mole on the left side of his nose, red cheeks, and icy blue eyes, Milt wears dark three-piece suits as library director, but when on combat patrol at the college, overseeing the teen thugs of the Kaiser Death Gang, he dons camouflage fatigues and a green beret.

Okay, so I didn’t feel like drawing the huge mole or the pointed wedge face nor probably most of the description above or below. Sometimes the psychic feel of a character just emerges from a drawing I didn’t intend as  a novel character when I started. From The Soul Institute:

Milt Glouair slung the lightweight gun over his shoulder and drank from his thermos. The PeneTraitor X-12 fully automatic machine gun, manufactured for the Red Chinese Army and illegal in the U.S., held five hundred rounds and was probably the world’s foremost military weapon.

And Burlcron comes up with six! One for each of us and himself! What a guy!

Glouair’s checked his watch as his combat boots clomped on the sidewalk through the Central Woods. 0300 hours. Good. Everything on schedule. His fatigues swished around his thighs. His knife sheath rode pleasantly against his hip. The coffee was wonderful. Belgian SynapseFritz–gourmet coffee from the Command Post!

Who’d have thought a shit like Stain Caruck had to have gourmet coffee? Well, Glouair supposed it kept the Kaisers alert. There was the English Building. Hit it fast and then back into the trees. No need to let the Security boys know where he was. Of course Burlcron had TSI Security checking the dorm and the parking lots. Keeping them from the north fields and the Kaiser Death Gang Command Post.

Glouair was pleased to see a deadly soldier in camouflage fatigues reflected in the glass of the English Building. He certainly cut a different figure in this outfit than in those three-piece suits he wore as library director! He adjusted his green beret.

There he was, all five-foot-six of him a professional soldier. He tucked his thin blond hair back under the beret and took in his wedge face, wire-rimmed glasses, the red cheeks, the icy blue eyes. He looked deadly and he knew it. Especially the icy blue eyes. People told him that. “The way your eyes just dominated that meeting, Milt!”

The mole on his nose was damn ugly, he knew. But it stopped people. Put them off just long enough for him to slip his agenda in.

Glouair fell back into the Central Woods. Caruck was in the wooded area around the Director’s house, Bip Elliott further north on Carson’s property, and Muscles Maguire was setting up in town. They’d meet at the sewer at four. The Mesquite kid, down at the sewer, had made their first kidnapping an hour ago–an unexpected piece of luck.

The boys had done fine on Jutland. He’d had no idea the place would blow like that! They must have hit a gas line.

copyright 2017 by Michael D. Smith

  • The Soul Institute – background
  • Amazon page
  • Milt Glouair, the digital version

 

Posted in Character Images, Excerpts, Novels, Sortmind Press, The Soul Institute, Writing | Leave a reply

The SolGrid Rebellion to be Published

Sortmind Blog - Michael D. Smith Posted on May 26, 2017 by Michael D. SmithJune 26, 2019
Suzette Borman copyright 2014 by Michael D. Smith

Suzette Borman, rebel against SolGrid, at nineteen in 2052–or as the rejuvenated woman of 2076.

The SolGrid Rebellion, Book Six of the Jack Commer, Supreme Commander science fiction series, will be published by Double Dragon Publishing. The first four books in the series are already published in eBook and paperback format. Book Five, The Wounded Frontier, is due out in February 2018, with Book Six to follow sometime after.

When the solar system adopts the buggy SolGrid telepathic network designed by former Space Force officer Patrick James, Jack Commer’s charming but impudent son Jonathan James instigates a rebellion against what he considers brainwashing. His followers includes his lover Suzette Borman, a hard-bitten nightclub owner who’s been rejuvenated to look nineteen; Patrick’s girlfriend Jackie Vespertine, emissary to aliens in the Iota Persei system; Pat’s SolGrid partner Sanders Hirte, a former bar bouncer; and Jonathan James’ dog Trotter, bonded to him years ago in Alpha Centauri as warrior brother.

Jonathan James Commer copyright 2012 by Michael D. Smith

Jonathan James Commer, Jack and Amav’s insolent son who wrote the bestselling Alpha Centaurian novel, A Fragmented Encyclopedia of Recent Self.

Smitten with the voluptuous Suzette and finally admitting that his dysfunctional SolGrid is paralyzing Sol culture, Pat accepts a place in the Rebellion. But he’s stunned when Jonathan James storms an orbiting museum and not only steals Typhoon II, Jack Commer’s ancient 2030’s spaceship, but also kidnaps Z’B, Emperor of the Martians.  As Jack pursues Jonathan James he begins to understand that his son’s pirate crew is staging an armed rebellion against Sol.

A seventh and possibly final Jack Commer novel was inadvertently called for by something Jack’s wife Amav says at the end of Book Six.  Book Seven has no title and is unashamed vaporware at this point, but dozens of interesting concepts keep hitting me and are being assembled into some sort of structure.  And for some reason the Large Magellanic Cloud has captured my imagination for Book Seven.

copyright 2017 by Michael D. Smith

The SolGrid Rebellion – more information

Posted in Astronomy, Character Images, Double Dragon Publishing, Jack Commer, Novels, Publishing, Science Fiction, The SolGrid Rebellion, Writing | Leave a reply

Trip to Mars in Paperback

Sortmind Blog - Michael D. Smith Posted on March 16, 2017 by Michael D. SmithApril 16, 2025

Trip to Mars available at lulu.comA few years ago I resurrected my first attempt at a novel, Trip to Mars, fifty-five penciled pages in a small yellow notebook with numerous crude illustrations. The 2,646-word story I produced as a sixth grader in the spring of 1964 is childish, cute, and illogical, but when the urge struck me in 2013 to render it into a children’s picture book, a wondrous psychic bridge somehow formed between child and adult, a union I really hadn’t expected. The modern illustrations peer through the childhood lens of 1964 but amplify and transcend the kid story, and this project became an homage to the writing it later inspired.

To make the picture book, I expanded the twenty-page manuscript into sixty-five pages of a few lines each, then illustrated each page in pencil. I decided the entire book would be black and white, and used a finger-rubbing technique to make numerous grayscale gradients. The book’s first version in March 2014 was the scanned Word document saved as a PDF, then turned into a Windows Media Video file, and finally posted to YouTube. But I’d always wanted a physical picture book paperback, and after much experimentation completed the project in March 2017. It’s now available as a compact and perfectly-sized 9″ x 7″ landscape-format paperback on lulu.com. I may do an eBook later but the paperback now satisfies my needs.

Trip to Mars copyright 2014 by Michael D. SmithThe story outlines the horrors of World War IV in, at that time, the extremely far future of 2033, along with the discovery of the moon’s instability and the resulting evacuation of the planet’s surviving population to Mars. Jack Commer, hero of my later published science fiction series, pilots the nuclear-powered spaceship Typhoon I and leads the same eight-man crew he’ll captain in The Martian Marauders, Book One of the Jack Commer, Supreme Commander series. The crew includes Jack’s three brothers Joe, Jim, and John. I think I originally named the four brothers after four identical plastic spacemen I had in elementary school. I recall that one of these four spacemen was a little lopsided and he thus became the somewhat loopy John Commer, the youngest brother who later makes a disastrous mistake with the Typhoon I in The Martian Marauders.

Trip to Mars copyright 2014 by Michael D. SmithTrip to Mars is the 1964 kid’s view of space exploration, tempered by nuclear war fears and a feeling of growing societal disruption; in fact, the story includes a senseless Kennedy-like assassination, still fresh in my mind from the previous November. As a childhood prequel to my Jack Commer series, Trip to Mars also contains themes explored in the later books. Many of the story’s details are taken up in 2012’s The Martian Marauders and some, like the passenger shell catastrophes that numbed the second oldest brother Joe, find expression in 2013’s Nonprofit Chronowar.

The modern Trip to Mars follows the text of the 1964 notebook with only spelling corrections; for instance, I’d misspelled the ship’s name “Typoon” throughout. Awkward phrasings and illogical plot developments are just allowed to do their thing, buoyed up by hopefully funny new illustrations. Of course I could have rewritten the story to modern adult standards, but the effect of naïve writing juxtaposed with modern illustrations is the whole point of the book.

Trip to Mars copyright 2014 by Michael D. SmithI used some of the notebook’s juvenile drawings for new image ideas, but also had much fun drawing concepts the sixth grader knew nothing about. One panel shows a scientist pointing to equations from Einstein’s 1905 Special Theory of Relativity.  Another copies the astronomer Schiaparelli’s 1886 drawing of Martian “canals.” Another is an homage to the cover of Heinlein’s Have Space Suit–Will Travel. I also depict a Marsport Automated Transport System bus, which later becomes a flippant robotic character in The Martian Marauders and subsequent books.

Trip to Mars copyright 1964 by Mickey Smith

A 1964 loose space helmet

Trip to Mars copyright 2014 by Michael D. Smith

A modern loose space helmet

 

 

 

 

 

 

 

 

 

 

While the exterior views of the Typhoon are consistent, being more or less the same ship I drew hundreds of times as a child, the interior views are a series of theater stages that can’t be reconciled with the layout of an actual ship about the size of a space shuttle. I immensely enjoyed drawing these interiors that just cannot be.

copyright 2017 by Michael D. Smith

Trip to Mars available at lulu.com

Early marketing efforts for Trip to Mars

2014 YouTube video

Background at sortmind.com and links to current Jack Commer titles

The back cover:

Trip to Mars available at lulu.com

 

Posted in Drawing, Early Writing, Jack Commer, Martian Marauders, Nonprofit Chronowar, Novels, Publishing, Science Fiction, Self-Publishing, Sortmind Press, Spaceships, Trip to Mars, Writing | 2 Replies

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Recent Posts

  • The New Benign Incursion Cast
  • The Benign Incursion is Published
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  • Trip to Mars, the Picture Book, Newly Reincarnated
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  • Introducing The Benign Incursion
  • Jack Commer, Supreme Commander – The Complete Series Omnibus
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  • Trip to Mars, the Picture Book, Newly Reincarnated – Sortmind Blog – Michael D. Smith on Trip to Mars, the Picture Book, or, How the Ship Became a Fantastical Theater Stage
  • Why New Akard 1979? – Sortmind Blog – Michael D. Smith on The Sortmind Draft One Project
  • Why New Akard 1979? – Sortmind Blog – Michael D. Smith on Akard Draft One Art Objects
  • Introducing The Benign Incursion – Sortmind Blog – Michael D. Smith on The Unknown Ending for The Martian Marauders
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Michael's books

Why Meditate: Working with Thoughts and Emotions
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Why Meditate: Working with Thoughts and Emotions
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WordPress Web Design for Dummies
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Using Joomla!
3 of 5 stars
Using Joomla!
by Ron Severdia
Serpent's Tooth
5 of 5 stars
Serpent's Tooth
by Toni V. Sweeney
On a cruise Melissa bonds with an older man, Travis, who turns out to be a famous celebrity in hiding from a once successful life. But by degrees we become aware that his enormous success came at the price of bonding with demonic forces...

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